• • Associated acts,,,, Past members The Alan Parsons Project were an English band active between 1975 and 1990, whose core membership consisted of. They were accompanied by a varying number of session musicians and some relatively consistent band members such as guitarist, arranger, bassist and vocalist, drummer, and vocalists. Parsons was an audio engineer and producer by profession, but also a musician and a composer. A songwriter by profession, Woolfson was also a composer, a pianist, and a singer. Almost all the songs on the Project's albums are credited to 'Woolfson/Parsons'. Contents • • • • • • • • • • • • • • • Career [ ] 1974–1976: Formation and debut [ ] met in the of in the summer of 1974.

Parsons had already acted as Assistant Engineer on ' albums (1969) and (1970), had recently engineered 's (1973), and had produced several acts for. Woolfson, a songwriter and composer, was working as a session pianist; he had also composed material for a concept album idea based on the work of. When Parsons asked Woolfson to become his manager, he accepted and subsequently managed Parsons's career as a producer and engineer through a string of successes, including,,,,,,. Parsons commented at the time that he felt frustrated in having to accommodate the views of some of the musicians, which he felt interfered with his production. Woolfson came up with the idea of making an album based on developments in the, where the focal point of the films' promotion shifted from film stars to directors such as.

If the film industry was becoming a director's medium, Woolfson felt the music business might well become a producer's medium. [ ] Recalling his earlier Edgar Allan Poe material, Woolfson saw a way to combine his and Parsons's respective talents. Parsons would produce and engineer songs written and composed by the two, and the first Alan Parsons Project was begun. The Project's first album, (1976), which was released by and included major contributions by all members of and, was a success, reaching the in the US. The song ' featured lead vocals by the actor, and, according to the 2007 remastered album liner notes, was the first rock song to use a, with Alan Parsons speaking through it.

1977–1990: Mainstream success and final releases [ ] then signed the Alan Parsons Project participants for further albums. Through the late 1970s and early 1980s, the Project's popularity continued to grow. (However, the Project was always more popular in North America, Ibero-America, and than in Parsons's home country, never achieving a UK Top 40 single or Top 20 album).

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The ', ', 'Damned If I Do', 'Time' (the first single to feature Woolfson's lead vocal) and ' had a notable impact on the. ' became the Project's last successful single in the United States; it reached the top 15 on the American charts in 1984. After those successes, however, the Project began to fade from view.

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There were fewer hit singles, and declining album sales. 1987's would be the Project's final release, though it had planned to record an album called (1990) next. The musical Freudiana [ ] Even though the studio version of Freudiana was produced by Parsons (and featured the regular Project backing musicians, making it an 'unofficial' Project album), it was primarily Woolfson's idea to turn it into a musical.

This eventually led to a rift between the two artists. While Parsons pursued his own solo career and took many members of the Project on the road for the first time in a successful worldwide tour, Woolfson went on to produce musical plays influenced by the Project's music., Gaudi, and Gambler were three musicals that included some Project songs like 'Eye in the Sky', 'Time', 'Inside Looking Out', and 'Limelight'. The live music from Gambler was only distributed at the performance site in, Germany.

The Sicilian Defence [ ] In 1979, Parsons, Woolfson, and their Arista, had been stalled in contract renegotiations when the two submitted an all-instrumental album tentatively titled ', named after an in chess, arguably to get out of their. Arista's refusal to release the album had two known effects: the negotiations led to a renewed contract, and the album was not released at that time. The Sicilian Defence was our attempt at quickly fulfilling our contractual obligation after I Robot, Pyramid, and Eve had been delivered. The album was rejected by Arista, not surprisingly, and we then renegotiated our deal for the future and the next album, The Turn of a Friendly Card. The Sicilian Defence album was never released and never will be, if I have anything to do with it. I have not heard it since it was finished.