The project “Restricted Areas” is about the human impulse towards utopia, about our striving for perfection through technological progress. Humans are always trying to own ever more than they have—this is the source of technical progress.

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The byproducts of this progress are various commodities as well as the tools of violence in order to hold power over others. Better, higher, stronger—these ideals often express the main ideology of governments. To achieve these standards, governments are ready to sacrifice almost everything.

Hic unutmuyorum, kendimi susuz kalm?s deve gibi hissetmistim o gece. Meger bilmedigim, anlamad?g?m ne cok sey varm?s iliskiler ve erkekler uzerine!!! 'Art?k yoruldum, yeni bir iliski icin ne cesaretim ne de hislerim kald? Anlad?m, ben yaln?z yasay?p, yaln?z olecegim. Danila Tkachenko is a visual artist working with documentary photography. The main theme of his work is the identity. In the debut project “Transitional Age' he is interested in the transformation of a teenager’s identity – a child becomes an adult.

Meanwhile, the individual is supposed to become a tool for reaching these goals. In exchange, the individual is promised a higher level of comfort. For “Restricted Areas,” I traveled in search of places which used to hold great importance for the idea of technological progress. These places are now deserted. They have lost their significance, along with their utopian ideology which is now obsolete. Many of these places were once secret cities, that did not appear on any maps or public records. These places were the sites of forgotten scientific triumphs, abandoned buildings of almost inhuman complexity.

The perfect technocratic future that never came. Any progress comes to its end earlier or later and it can happen for different reasons—nuclear war, economic crisis, natural disaster. What’s interesting for me is to witness what remains after the progress has ground to a halt. —Danila Tkachenko Interview LC: What drew you to the subjects in “Restricted Areas?” DT: One day, I went to visit my grandmother who lives in a closed and previously secret city where the first Soviet nuclear bomb was developed. While there, I learnt that in the 1960s, there had been a nuclear disaster but it had been completely classified.

As it turns out, a vast territory had been contaminated and the people living there developed a variety of chronic diseases because of the accident. The first shot of “Restricted Areas” was made in this city. This was the starting point of my investigation into the ruthlessness of technical progress as against the human element—a particularly tragic dynamic since this search is initiated by humanity itself. Keep in mind: these facilities were created by the state—and not by individuals. I believe that the state thinks much more about its own well-being and safety than of its people.