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Ensemble Pro opens up VSL's hosting technology to third‑party instruments and allows 32‑bit and 64‑bit Mac and Windows systems to communicate over a network, spreading the software instrument load. One of the biggest problems when working with software instruments, in my experience, is that one computer is never enough.

And while the answer of adding another computer to your rig may seem obvious, it is often anything but simple. A common approach is to use an application specifically designed for hosting plug‑ins on your additional machines, since running a fully featured sequencer brings to mind sledgehammers and nuts. But it's often hard to find a host application that does everything you want, and even harder to figure out the complexity of routing audio and MIDI between your extra systems. Vienna Symphonic Library (VSL) are well known for their sampled orchestral instruments.

VSL originally made their libraries for other samplers, but later created a custom playback engine and released the Vienna Instruments plug‑ins. These plug‑ins enabled musicians to employ VSL's instruments directly in their sequencer of choice, but also placed the entire burden of running the instruments on the sequencing computer.

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Even putting aside processor requirements, orchestral libraries tend to be rather demanding on memory and one computer often struggles. So in order to make it easier to run these plug‑ins across multiple computers, VSL launched their own host software in 2007: Vienna Ensemble. Over the last couple of years, Vienna have been steadily improving Ensemble. Among the most eyebrow‑raising features added has been the support for network‑based MIDI and audio routing. However, one request from existing and prospective users alike has been for Ensemble to support third‑party instrument plug‑ins. And that's exactly the request that's been answered with Vienna Ensemble Pro.

The Ensemble Pro plug‑in running in Logic Pro 9. Ensemble Pro comprises three main parts: the Ensemble Pro application itself, the server, and a plug‑in.

The Ensemble Pro application is the host, and this can be used as a stand‑alone audio and MIDI application, just like any other host. However, the real power comes when you start using the host application in conjunction with the plug‑in. The Ensemble Pro plug‑in comes in both VST 2.4 and VST 3 flavours — Mac users also get RTAS and Audio Units formats — and communicates with the host application by way of the Ensemble Pro server. The beauty of this approach is that the host application can actually be running on any computer networked to your sequencer — even the sequencer computer itself. Like the Vienna Instruments libraries, the Ensemble Pro application is copy‑protected using Syncrosoft's eLicenser technology, which is now owned by Steinberg.

Three licenses are provided, and this means you can run Ensemble Pro simultaneously on three computers in addition to your sequencer (the plug‑in itself isn't protected). You'll need to already own Syncrosoft dongles in order to use these licenses, and while this might not be a problem for VSL or Steinberg customers, it does add an extra expense for those not already using Syncrosoft‑protected products. VSL offer their own rebranded dongle, the Vienna Key, and this is available either from retailers or from VSL directly at a cost of 29 Euros $39.

The server application keeps track of all running Ensemble Pro instances. Getting started with the networking aspect of Ensemble Pro is easy. After running the installer on all the computers on which you want to use the software, you can launch the server on one computer and then connect to it by using the plug‑in on a different computer on the network (or, indeed, the same one). Each plug‑in you add in your sequencer communicates with a different instance of Ensemble, and a nice touch is that one server can support multiple Ensemble instances. This can be useful in two ways.